Laurel Canyon Music

For fans and musicians of Folk, Americana, Country, Blues, Singer-Songwriter, Rock, Roots & Acoustic and music from the Laurel Canyon late 60’s/early 70’s era.

LCM is a new co-operative music community, promoter, event organiser and on-line magazine to promote & support the music that we love. All the latest news, reviews and interviews

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  • Genre: Singer-Songwriter, Alt-Folk
  • Band Members: Sarah Howells
  • Location: London, UK
  • Discography: Chocolate Factory Sessions EP (2015) EP1 (2016) EP2 (2016) Like An Island (2018)
  • Record Company: Seahorse Music
  • Website:

It would be far to say that without meeting Sarah almost five years ago, LCM probably would never have existed in it's current form. So we owe a great deal to Sarah and her music. It's also always a pleasure whenever Sarah joins us for one of our LCM gigs. It is a very exciting time for Sarah as she is about to release her highly anticipated solo debut album 'Like An Island' as Bryde.

Sarah was born in Pembrokeshire but is now London based. She was originally part of the excellent band Paper Aeroplanes but is now forging a solo career as a girl and an electric guitar playing fierce and fragile songs. Her music swaying from vulnerable to uncompromising within one verse and chorus. Bryde's music is honest and furiously authentic. Often compared to the likes of Daughter, Sharon Van Etten, Ben Howard & PJ Harvey, Sarah has such a distinctive vocal and the electric guitar sounds gives Bryde a different feel to her Paper Aeroplanes and EDM music.

Championed by blogs, her music so far has been described as “tender, wiry piece of tear-jerk alt-pop” (The Line of Best Fit ) and played by Huw Stephens on Radio 1, Tom Robinson on 6music, BBC Introducing in London and cited by various blogs as ‘One to Watch’.

Sarah will be releasing her debut solo album 'Like An Island' on the 13th April followed by a full UK tour including a London date at Omeara (London Bridge) on the 1st May. 


“The song is a showcase of Bryde’s impressive vocal range, although her most exceptional vocal quality lies in her ashy timbre and seemingly uncalculated vibratos. It’s these perfect blemishes that imbue her music with a certain convincing vulnerability not normally present in singles from the usual pop titans.” (Earmilk)

“A female soloist gathering a lot of interest …. helping her stand-out amongst a great tide of very good female artists such a Lapsley.” (Never Enough Notes)

“It bends but does not break, with the insolent sorcery of Sharron Van Etten or PJ Harvey” (Les Inrocks)

Single of the week - “[Help Yourself] glides, soaring skyward through its powerful and emotive choruses, headstrong. It’s clearly cathartic, but not just aimless and explosive, it is instead guided and direct with a complete conviction in itself. A strong but raw vocal performance only enhances the earnest lyrical sentiment.” (Cultured Vultures)

“There is so much beauty in Sarah’s voice: the huskiness of Gemma Hayes, lightness of Laura Marling and sensitivity of Jeff Buckley — beauty that is hard to define, which is a big compliment.” (Fresh on the Net)


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